My mother passed away a year ago today.  It was really for the best; she’d been suffering in the hospital for many weeks with internal bleeding, and every time she’d improve a bit, she was met with two setbacks.  I’m just glad I got to see her several times in those weeks.

I really couldn’t have asked for a better mom.  She was loving to everyone, but especially to her family.  She was a great cook, she had a wonderful sense of humor, she attended all of my many school events, she’d help anyone in any way she could, she single-handedly got me grants for college tuition, and all my friends really liked her.  And she could play guitar and piano.

But, best of all, she always encouraged me in whatever I wanted to do.  She was my biggest fan.

I was pretty precocious as a youngster. I was avidly reading and writing before Kindergarten, and I would ask her how to spell or pronounce words about a dozen times a day.  It must’ve driven her nuts, but she always took a break from whatever household chore she was involved with to answer me.

I wrote a lot of (very short) illustrated books.  I always showed them to her before anybody else.  She would inevitably laugh, or at least get a big smile, and say, “that’s very good.  I like that.”  Later, when I learned guitar and started writing songs, she’d give me the same reaction.

But I really want to relate the story I remember most from my very early childhood.  It was the first time I remember mom getting angry with me.

My sister was just an infant, so I was probably a few months into my fourth year.  We lived in a small house in the tiny town of Hudson, IL.

Mom had a little sewing space in the corner of the basement.  She spent quite a bit of time sewing – in fact, she made a lot of the family’s clothes.  She was busy sewing one day.  Dad was at work.

Up above, on the first floor, I was in my bedroom writing or drawing or something.  My baby sister, in her crib a bedroom away, started crying loudly.

I tried to ignore it.  But it continued.  I tried even harder to ignore it.  She bellowed on.  I was trying to create art, dammit, and a whiny baby was distracting me.

I yelled, “Mom!  Mommm!  Baby’s crying!”  But I guess she couldn’t hear me, one floor above, over the loud chugging of the sewing machine.

So I decided to take matters into my own hands. I went to my sister’s bedroom, climbed up to the railings of the crib, and, with no small effort, picked her up.  The little turd didn’t stop crying.

I rocked her in my arms a bit, and even sang a little.  Still with the crying.

I concluded that the best solution was to take her downstairs to mom.  Surely mom could make her shut up.

So I walked, a four-year-old, with a wailing infant in his arms, to the basement steps.  I confidently started to descend.

Just as I came below the floor section of the first floor, about 8 steps down, the sewing machine stopped as the loud crying continued.

Mom looked toward the stairs.  I don’t think I’ve ever seen, or ever will see, such an expression of sheer shock, panic, and disbelief.

She gasped, “What are you doing?!”

I said, “She’s crying. I can’t get her to be quiet.”

She dashed from her chair, ran up the stairs, and snatched my sister from my grasp.  She snapped, “Don’t ever do that again!”

I was hurt.  I was just trying to get the baby to be quiet.

She recognized this, softened, and said, “It’s okay.  You were just concerned about your sister.  Just tell me first next time she cries, okay?”

And then we were cool.  I didn’t pick sis up again until she was about two.

In conclusion, ma, you were great.  I owe all my creativity and musical ability – and self-confidence in both — to you.  And those are really the only things on which I can always rely to make me happy.

P.S. I’d like to mention my mother’s middle name, but I can’t.  When I found out what it was as a kid, I poked a little fun at her about it.  She sternly told me to never say that name to her or anyone else ever again.

When I was about 7 years old, around 1971, I lived in Hudson, IL, population about 1,000.  My family went to church with an elderly widow from the neighborhood.  Often, during summers, I’d walk to her house to visit.  She loved to play the board game “Cootie” and made great cookies.

The main thing I noticed about her house was that she had an amazing amount of artwork on her walls.  I guess, being an artistic type myself, I appreciated her adoration for art.  There were a few paintings that were pretty standard (or at least what my kid brain thought were standard), but many were quite bizarre.

The one that struck me the most was a painting right over her fireplace.  At the time, the Vietnam War (Conflict, whatever) was going on.  I kind of knew what war was; people were fighting and dying, and folks were upset about it.

The painting was horizontal, with a black background.  Across it, waving from left to right, was an American flag. The end of the flag, on the right, dripped down and became a long drop of blood.  Gripping the end of the drop, with one hand, was a dead American soldier in camos.

I never asked her specifically about the painting, but I’d often stare at it when she was off in the kitchen getting refreshments.  It was one of those “it’s scary, but it strikes my artistic soul in a profound way” sort of things.

Anybody I’ve ever told this to has no idea what I’m talking about.  I’ve imaged-searched the Internet with every keyword I can think of: nothing.

So, for now, the coolest painting I ever saw is only a 40-year-old memory.

Jotted down this idea some time ago, just wrote recently.  Probably still need some work. 

 

A Cub Scout meeting.  A small group of scouts, in uniform, is sitting around an adult male, also in scout garb.

 

MR. DAVIS:  Good evening, Cub scouts.  My name’s Mr. Davis, and I’m the counselor for the First Aid merit badge for the Boy Scouts.  I want us to take a little time tonight to talk about first aid.  Does anyone know what “first aid” means?

SCOUT #1:  Is it an aide to the president?  Like, a guy that helps him out?  His first aide?

MR. DAVIS:  No.  Think…injuries.

SCOUT #2:  Is it like when you first get AIDS?

MR. DAVIS:  No.  And that’s not technically an injury, it’s an illness.

SCOUT #3:  Is it the first-response treatment you give to someone who’s just suffered an injury?

MR. DAVIS:  Yes.  That’s exactly it.  Now, let’s say you’re walking home from school with your friend.  He slips on the ice and falls on his arm.  His arm is bent and he’s yelling in pain.  What’s the first thing you should do?

SCOUT #4: Laugh.  (The group titters)

SCOUT #5: Take a video on your phone and put it on YouTube. (The group titters even more)

MR. DAVIS: No.  If you have a phone, you should call 911 immediately and request that an ambulance be sent to your location.  Now think about how you can help him right there.

SCOUT #1: I’d sing him a song to calm him down.

SCOUT #2:  I’d tell him to stop yelling before I hit him and hurt him more.

SCOUT #5:  I’d run away real fast.  Yelling people scare me. (The group chuckles again.)

MR. DAVIS:  No, no.  He broke his arm.  He’s your friend.  You want to help him.

SCOUT #3:  I’d make him as comfortable as possible, then find the nearest house and borrow some strong tape, and a thick newspaper or wooden plank of some kind.  Then I’d carefully tape the newspaper or plank around the area of the break.

MR. DAVIS:  Excellent!  That’s exactly what you do.  Also, you should elevate the arm above the heart…(he pauses, his cell phone vibrating in his pocket.  He pulls it out and checks it.)  Sorry, scouts, I have to take this.   It’ll only be a second. (On phone) What do you want?  I’m teaching a scout meeting.  What?  When?  I’ll be right there. (Hangs up phone) Scouts, I’m sorry, but I have a family emergency and have to leave.  We can finish this another night. (He gets up and heads to the door, but slips, and falls on his arm.) Oww!  Oww!  My arm!

SCOUT #3: Chill out, guys (stands up and pulls a roll of duct tape, a thick newspaper, and a ruler from his back pants pockets).  I got this.

THE END

I found this in my baby book.  It is, to the best of my recollection, the first time I tried to write a longer story.  I think I was four; I’m sure I wasn’t in school yet. 

It’s written in marker, and each chapter is on differently-colored construction paper.  I’m not sure what my fascination was with eating and spiders.  And what good story doesn’t end with a nap?

 

MONSTER MAN

 

Chapter 1:

Once upon a time in a house in California there lived a ugly man with his wife.  She was ugly too.  One day the ugly man ate his supper.  It was terrible.  He yelled so loud that he shook the house and he was so ugly that he turned in to a monster.  “A monster” said his wife.  Let’s run over the mountain.  They ran to Mr. Frontiers.  He was good and nice.

 

Chapter 2:

But her husband was not good or nice.  He’s mean and he was bleeding too.  He found a mean house.  He wint in.  He saw some witchs and bats and skeletons and some spiders-webs too.  He liked it there.  He ate some rats and chains.  And he heard some “squeeks” and some “rattles” and he saw some vampires and a dirty creek.

 

Chapter 3:

R-R-R-R wint the monster.  He was mad and hungry.  He ate some more rats and chains.  He ate some skeleton bons and some spiders and some spider-webs.  He was full after so much to eat.  He took a nap.  He took a nap on a spider-webs.  And he slap for 40 years.  And then he saw Mr. Skeleton.  He was planting chains that would go squeek.

 

Chapter 4:

And he married another monster.  He kissed her.  And they both weighed 85 inches.  And they tried to put dirt on the spider-webs.  And they put chains on ghost.  And he ate 200 spiders and got fat.  He got as fat as a pig.  And he allmost got fat enough to go “pop.”  But he dident.  And his wife over at Mr. Frontiers house.  She dident go pop.

 

Chapter 5:

The monsters wife was makeing dinner.  They had spider soup.  Y-M-M-M said the monster.  It was good.  But he never had it befor.  He dident get full he just went on eating.  He ate and ate and ate but he relly WAS full.  But he din’t know it.  He went to sleep agien.

A few years ago, at a flea market, I bought an old TV schedule supplement to Chicago Daily News.  It’s for April 27 – May 4, 1968.  Leslie Uggams is on the cover, and the interview is with Betsy Palmer (sadly, best known for her later work as psycho killer Mrs. Voorhees in Friday the 13th). It’s interesting to see what was on the tube at the time.  At least we had Star Trek – and a shitload of westerns.  And whatever happened to The Doodletown Pipers?

 

SATURDAY:

Cartoon Carnival

Sandy Koufax Show

Celebrity Billiards (Minnesota Fats vs. Buddy Hackett)

Have Gun, Will Travel

Car 54, Where Are You?

My Favorite Martian

Jackie Gleason Show (guests: Milton Berle, Vikki Carr, Frank Gorshin)

Death Valley Days

The Dating Game

The Newlywed Game

The Saint

My Three Sons

Get Smart

Lawrence Welk

Hogan’s Heroes

Petticoat Junction

Mannix

Password

 

SUNDAY:

Bugs Bunny

Superman

Bullwinkle

Cisco Kid

Face the Nation

Meet the Press (guest: Vice President Hubert H. Humphrey)

French Chef (featuring Julia Child)

Flipper

Thunderbirds

Lassie

Wild Kingdom

Gentle Ben

Walt Disney

Ed Sullivan Show (guests: Richard Harris, Ella Fitzgerald, George Corliss, violinist Kyung Wha Chung, The Doodletown Pipers, Milt Kamen, comedy team of Stiller & Meara)

The Mothers-in-Law

Smothers Brothers Show (guests: Carl Reiner, Jennie Smith, The Happenings, Hamilton Camp)

Bonanza

Mission: Impossible

 

ANY GIVEN WEEKDAY:

Leave It to Beaver

Captain Kangaroo

Romper Room

Candid Camera

Beverly Hillbillies

Andy of Mayberry

Dick Van Dyke Show

Bewitched

Guiding Light

As the World Turns

Let’s Make a Deal

Days of Our Lives

Art Linkletter

To Tell the Truth

Edge of Night

Dark Shadows

Secret Storm

Hollywood Squares

Match Game

My Friend Flicka

Merv Griffin

Three Stooges

Little Rascals

Garfield Goose

McHale’s Navy

Mike Douglas Show

Huntley-Brinkley Report

 

MONDAY:

Rawhide

Gunsmoke

The Monkees

Rowan and Martin’s Laugh-In (guest: Tiny Tim)

Lucy Show

Rat Patrol

Andy Griffith Show

Danny Thomas Hour

Family Affair

Peyton Place

Carol Burnett Show

I Spy

Big Valley

 

TUESDAY:

Daktari

I Dream of Jeannie

Garrison’s Gorillas

Jerry Lewis Show (guests: Barbara Feldon, The Doodletown Pipers)

Red Skelton Show (guests: Nipsy Russell, The Association)

It Takes a Thief

N.Y.P.D.

The Invaders

 

WEDNESDAY:

Lost in Space

The Virginian

The Avengers

Green Acres

Dom DeLuise Show

 

THURSDAY:

Cimarron Strip

Daniel Boone

The Flying Nun

That Girl

Peyton Place

Dean Martin Show (guests: Rosemary Clooney, Buddy Hackett, Minnie Pearl, David Steinberg)

 

FRIDAY:

Wild, Wild West

Tarzan

Gomer Pyle

Star Trek

Hollywood Squares

I wrote this when I was 13.  It’s since been my most requested song at shindigs and such.  I have no idea why.  It will also appear on my upcoming debut CD (projected release date: Fall 2025). 

 

MUD

 

Hostess Twinkies, apple pies

Quarter Pounder and French fries

All these foods taste rather good

But you know my favorite’s mud

 

CHORUS

Mud, mud, mud, mud, mud, mud

It’s for me

Mud, mud, mud, mud, mud, mud

Good as can be

 

I hate corndogs on a stick

Cake and ice cream make me sick

There’s one food that’s not a dud

And everyone knows it is mud

 

CHORUS

 

I like mud with eggs and ham

My dog Spot eats mud and jam

Mud’s nutritious and it’s fun

Let’s feed mud to everyone

 

CHORUS

 

If you don’t like mud, you’ll see

Adding moss makes it tasty

Just throw in a worm or two

You’ll find out that mud’s for you

 

CHORUS

 

Mud’s the food for you and me

Let’s consume it faithfully

Some folks say, “here’s mud in your eye”

But put it in your mouth and you’ll be just fine

 

CHORUS

From 1972 to 1980, I attended Carlyle Grade School and Carlyle High School in (wait for it) Carlyle, IL.  One of my friends was Matt Tucker.

Matt was (and still is) a fun guy, and even crazier than me.  He excelled in both baseball and football.  But the main qualities that set him apart from the other kids were his total disregard for the well-being of his physical frame and his superhuman tolerance for pain.  He was Mick Foley before there was Mick Foley.

He could take an incredible pounding on the field.  He could also take an incredible pounding in whatever insane daredevil stunt he was attempting.  And he wasn’t a big guy – kind of scrawny, actually.  It didn’t help that he had about 11 siblings, and was thus always vying for attention.

He was usually wearing some sort of cast somewhere on his body.  He’d always remove them himself, weeks before the doctor’s go-ahead.  He eventually broke nearly every bone in his body, including his neck (and you think you’re tough?).

One day, in freshman science class, some of us were sitting around those big marble-type tables where you’d pour hydrochloric acid on seashells and such.  It was the last few minutes of the period, and the teacher, Mr. Sommers, was outside the door in the hall chatting.

We were goofing off by “karate chopping” the sharpened end of horizontal pencils, so the pencils would flip up in the air.

Then Matt said, “hey, watch this.”  He had a pencil on the table in front of him.  He put his hand to the back of his head and pushed down.  He was apparently attempting to flip the pencil with his forehead.

Instead, he forcefully drove his upper front teeth into the table.  There was a sickening crunch, and fragments of teeth shattered all over the clean dark tabletop.

Everyone froze.  Matt lifted his head up and quickly put his hand up to cover his mouth.

The kid across from him stared at the teeth remnants, yelled “AHHHHH!”, and briskly swept them to the floor.

Matt pulled his hand from his mouth.  He revealed his bloody gums, and a big empty space where his four front teeth had just been.  He laughed and called out, “Mr. Sommers, I think I need some help.”

It ended well.  Matt got new teeth, and I think they even glow in the dark.

But still: how many fifteen-year-olds do you know who could bust out their own teeth — and laugh about it?  Balls, man.  True, planet-sized balls.

I wrote this 11 years ago and posted it on a message forum.  I thought I’d lost it forever, but a kindly administrator retrieved it for me (thanks Lorina!).

 

WOMEN ARE LIKE PLAYSTATION GAMES

 

1. They can be quite expensive when they first come on the market; they’re much cheaper when they’re used.

2. You can sometimes trade with (or borrow/steal from) friends.

3. You can sometimes find good deals on the Internet.

4. Some are way too easy and unchallenging, and you end up losing interest.

5. Some are way too hard and frustrating, and you end up giving up.

6. Some are too repetitive and predictable, and you end up getting bored.

7. Some start out promising, but get so complicated you end up pulling your hair out.

8. Some are just plain stupid, and you wonder why they were created at all.

9. The most popular ones are usually overhyped.

10. The ones with the most attractive packaging are often the least fun, and vice-versa.

11. The older classics are often more enjoyable than the new flashy ones.

12. Damaged ones usually don’t play right.

13. The best ones have an appealing interface, are user-friendly, are challenging without being overwhelming, have good replay value, have an interesting background story, keep you entertained, have a sense of humor, and – most importantly – let you start over if you mess up.

In 1987, I was living in Revere, MO, population about 150.  My wife had gotten a teaching position at the local school, and I was substitute teaching (which I don’t recommend to anyone who can possibly avoid it).

I knew I needed a real job.  Iowa was just a few miles north, so I went to the Iowa Employment Place in Keokuk.  I signed up, and was scheduled to take a mandatory placement test.

I took the test a week or so later with a group of people. Most of it was written, and pretty easy.  I felt like I was in eighth grade again.

Another part of the test involved manual dexterity, like flipping pegs over on a pegboard.  I assume this was to test for proficiency in factory work.  I was faster than most in my group.

A couple of weeks later, I went back in to see how I’d done.  A woman checked the files, took a look, looked at me, and said, “Come with me.”

I followed her into an office.  Her expression was like a doctor about to tell me I had two weeks to live.  She said, “Mr. Webel, you scored over ninety percent.”

I said, “That’s good, right?”

She said, “Most of the people we get in here don’t score over fifty percent.  I’m afraid we can’t find anything for you.”

Right then I realized a sad fact: I’m too smart for Iowa.

CHUCK NORRIS:  Good evening, and welcome to Republican Primary Debate #1,039.  I’m your moderator and favorite washed-up action movie star, Chuck Norris.  Please welcome our participants tonight: Former Massachusetts Governor Mitt Romney, Former Speaker of the House Newt Gingrich, Former U.S. Senator Rick Santorum, and fragile geriatric Ron Paul.

RON:  Excuse me, I’m the only one here still in office.  I’m a twelve-term U.S. Representative.

CHUCK:  Shut up, old timer.  Now, here are the rules.  No spitting, no gouging, no bludgeoning.  Stinging an opponent with bees is allowed, but only if they’re African killer bees.

MITT:  Can we use logic and reason as weapons?

CHUCK:  You guys?  I doubt it.

The crowd loudly boos.

CHUCK:  Y’all shut up, too.  You’ve heard the stories about me.  They’re all true.  I’ll kick everyone’s asses.  Now, first question.  How do you intend to address the issue of illegal immigration?

MITT:  Make ‘em learn English.

RICK:  Deport ‘em.

NEWT:  Kill ‘em.  Kill ‘em all.

MITT:  Really?  Kill ‘em?  Speaker, if you found out one of your housekeepers was an illegal immigrant, would you kill her?

NEWT:  Which one?  Not the hot one.

RON: I think we should deal with this from a strictly economic point of view —

CHUCK:  (laughs) Right, geezer.  Speaker Gingrich, I’m intrigued by your response to Governor Romney about your “hot” housekeeper.  Please elaborate.

NEWT:  Well, I don’t really know her name right offhand, but I’d say she’s at least as hot as Jennifer Lopez in Out of Sight.

The crowd applauds enthusiastically.

MITT:  Speaker, are we supposed to stand here and believe your housekeeper is as hot as Jennifer Lopez in 1998?

RICK:  My record with hot Latino women has been dismal.  But, if elected, I will change that.  Hot Latino women for everyone!

The crowd applauds and hoots even more enthusiastically.

RON:  (sighs) We’re completely avoiding the issue here…

CHUCK:  Listen, pops, you’re getting on my every last nerve.  You are one pussy hair away from a righteous ass-kickin’.  Excuse me; we’re taking an e-mail question.  “Chuck Norris: is it true that under your beard lays yet another fist?  Anna, age 8, Atlanta”  (snorts)  Duh, Anna.  Anyway, Speaker Gingrich, Jennifer Lopez was incredibly beautiful in 1998.  Do you have a picture or something to prove your housekeeper’s hotness?

NEWT:  Why yes, I happen to have a picture on my phone.

He produces a phone, and shows the picture.

CHUCK:  Speaker, that’s the movie poster from Out of Sight.

NEWT:  (looks) What?  No, that’s my housekeeper.

CHUCK:  It has George Clooney in it and it says in big letters, “Out of Sight.”

MITT:  You see?  The speaker is a man so delusional about Latino poontang that he thinks his housekeeper is an actress.  The man is unfit for any office, even Office Max.  Which I think I own.

NEWT:  Stick a sock in it, Brigham Young backwash.  And while you’re at it, stick a sock in your magic underwear, too. (Glances crotchward) Women like more than a cocktail weenie.  You gonna please your five first ladies with that?

MITT: You son of a whore. (He attacks)

MITT and NEWT tussle violently.  RICK is petrified for a moment, then bolts.  RON continues.

RON:  I just want to remind everyone that these are the men who are beating the crap out of me in the primaries.  Now let me tell you how we can shrink government… (his voice fades out as CHUCK’s comes in).

CHUCK:  That’s it for the debate.  What a bunch of rich asshole pussies.  It’s time to open a Norris-sized can of whoopass.

He rips off his shirt and heads for the stage.

THE END (?)